"it rained five days and the sky turned dark as night". Backwater Blues by Big Bill Broonzy was written by Bessie Smith and was first recorded and released by Bessie Smith in 1927. Back-Water Blues Bessie Smith (Columbia, 1927) for this article. Borrowing from song to write about whats wrong. The repetition of her lyrics depict just how saddening her situation is- she is in the middle of losing everything. I have her strong voice in my ear at all times. La Bouche) [2023 Mix] [Extended Mix] Songtext. It was covered by Brother John Sellers, Toni Lynn Washington, Meschiya Lake and The Little Big Horns, The Kenny Wayne Shepherd Band and other artists. However, the blues utility in our everyday language signifies to me that the blues are ingrained into US culture. Log dich ein um diese Funktion zu nutzen. The narrator, who presents himself as a victim describes how . Once more, listen for the turnaround (the melody at the final two bars of each 12-bar progression or last line of each stanza) and hear it transform the melody of one progression/stanza into the next. Total loading time: 0 The consonant chords allow for a smooth harmony to flow continuously during the song. Create beats, songs, and musical snippets with built-in music theory, melody guides, and intelligent chord suggestions. The initial first line resoundstherefore necessitates itself perhaps as a question, a declaration, or even a second guessing of this sung things existence to its audience of many or just their self. Please use a recent version of Chrome, Firefox, Safari, Edge, or Opera instead. "Backwater Blues" (1927) . One more piece. The song has a homophonic texture due to the use of instruments and vocalization in unison. The song is called "West End Blues" and was recorded by Louis Armstrong and His Hot Five in 1928. I love writing blues poems. Listening Guide to Backwater Blues by Bessie Smith - YouTube Notice, however, that although the form remains the same throughout, pianist James P. Johnson's accompaniment style frequently changes during different verses of the song, as he interacts musically with Smith and attempts to depict the meaning of her lyrics through his playing.\r\rBessie Smith (vocal); James P. Johnson (piano)\r\rRecorded in New York, February 17, 1927 It was covered by Brother John Sellers, Toni Lynn Washington, Meschiya Lake and The Little Big Horns, The Kenny Wayne Shepherd Band and other artists.
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