His manner of portraying African American men is Wileys way of affirming their presence in a society that has long discounted or undervalued them. To log in and use all the features of Khan Academy, please enable JavaScript in your browser. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Wiley calls attention to ideas about authority and historical representation, keeping many original elements and making significant alterations. Kehinde Wiley's painted portraits recasting Black figures in Western European scenes, such as in "Napoleon Leading the Army Over the Alps," often strike a celebratory note. Kehinde Wiley | Biography, Art, Portraits, Paintings, Sculptures Shahrazad A. Shareef, The Power of Decor: Kehinde Wileys Interventions into the Construction of Black Masculine Identity, (UMI Dissertations Publishing, 2010). The models for the paintings were cast on the streets of New York City. In works that questioned the cultural narrative of the Western art canon, Wiley replaced conventional images of white men of historical status with contemporary men of colour who simulated the poses of the original masterworks. David J. Getsy, Professor of Art History at the Art Institute of Chicago, explains the historical significance of the reclining pose, writing, "In this tradition, ascendance is hierarchical, and the uprightness of the human body signals the intellectual and moral alertness of the figure. This repositioning of a black woman as murderer of a white woman has received a great deal of criticism and concern that it encourages violence against white women, and portrays black women as perpetrators of violence. Kehinde Wiley Portraits. Wileys next public work, Go (2021), was one of several permanent installations chosen for Penn Stations concourse expansion in New York City.
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